The goal of final movie of trilogies is clear: tie up all loose
ends, and provide a satisfying conclusion not just for the 3rd
movie, but for the previous two movies as well. Filmmakers take different
approaches to end trilogies. Some go for a grandiose finish (Neo and his fellow
humans battle the Matrix on multiple fronts); some offer emotional
reconciliations (Darth Vader saves the live of his son, Luke); and some show
characters that have been affected by their journey for better (Marty McFly transcends
his aversion to being called chicken) or worse (Frodo must leave the Shire
forever). As I gathered my texts together to create my oratorio, a big question
loomed: how did I want to conclude the work?
I took a cue from The Matrix
franchise in which the dramatic conclusion for the first movie was re-used for
the third movie, but executed on a much grander scale. I knew that I wanted to
have both Parts I and III of Terra Nostra
conclude with identical text and music, taken from Walt Whitman’s Leaves of Grass and sung by the adult
and children’s choruses:
A blade of grass
is the journeywork of the stars.
Long and long has
the grass been growing,
Long and long has
the rain been falling,
Long has the
globe been rolling round.
I chose this text for a particular reason. The point of the entire
oratorio is that humanity can choose to change how we live so that we lessen
our impact on the planet, possibly even live in harmony with it. In Part I,
when the only texts sung thus far are celebrating the birth and beauty of the earth,
Whitman’s text is a reassuring confirmation of the unending cyclical nature of
our planet. But by the end of Part III, when we have heard texts that recount
humanity’s dramatic impact on the world, Whitman’s text seems to suggest that
our planet’s situation is tenuous. As a result, I added additional lines of text
from Leaves of Grass, sung by four
soloists, that urge humanity to find a solution for this fragile situation by
reconnecting with the earth from which we came. The soloists’ text is set to new,
hymn-like music that is inserted in between the choirs’ lines of text. If we can meet Whitman’s challenge, we might
find redemption for ourselves and for our planet:
I bequeath myself to the
dirt to grow from the grass I love,
If you
want me again look for me under your boot-soles.
You
will hardly know who I am or what I mean,
But I
shall be good health to you nevertheless,
And
filter and fibre your blood.
Failing
to fetch me at first keep encouraged,
Missing
me one place search another,
I stop
somewhere waiting for you.
When a movie trilogy is
over, good has triumphed over evil, love interests are reconciled, and brave
hearts have proven their worth. I hope the message of my oratorio will lead to
a similar outcome in having humanity find a balance in living with terra
nostra, our earth.
Terra Nostra will be premiered in its entirety on November 14th & 15th in San Francisco by the San Francisco Choral Society, Piedmont East Bay Children's Chorus, soloists Jennifer Paulino, Betany Coffland, Nikolas Nackley, and a tenor TBD, and the California Chamber Symphony. Click here for ticket information.
Terra Nostra will be premiered in its entirety on November 14th & 15th in San Francisco by the San Francisco Choral Society, Piedmont East Bay Children's Chorus, soloists Jennifer Paulino, Betany Coffland, Nikolas Nackley, and a tenor TBD, and the California Chamber Symphony. Click here for ticket information.